Apogee One Usb Audio Interface And Microphone For Mac
USB audio with 24-bit/48kHz A/D and D/A conversion; Built-in omnidirectional condenser microphone; Software selectable 48V phantom power; Line-level, 1/8'. Apogee One For Mac 2x2 USB Audio Interface. In terms of a microphone, the One contains a built-in omnidirectional microphone that can handle just about.
Hailed by the music press as the holy grail of intonation correction. Auto-Tune from Antares has been adopted worldwide and is one of the largest-selling audio plug-ins of all time. Auto-Tune corrects intonation problems in vocals or solo instruments, in realtime, without distortion or artifacts, while preserving all of the expressive nuance of the original performance”with audio quality so pristine that the only difference between what goes in and what comes out is the intonation. All with a user-interface that is a model of clarity, speed, and ease-of-use. For most common pitch problems, Auto-Tune 5's Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic, and 26 historic and microtonal scales), and corrects the input pitch to match the scale pitch.
A Retune Speed control lets you match the retune rate to virtually any performance style. For meticulous tweaking, the Graphical Mode displays the performance's detected pitch envelope and allows you to draw in the desired pitch using a variety of graphics tools. This mode gives complete control over the correction or modification of the most elaborate expressive gestures. Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, to save that otherwise once-in-a-lifetime performance, or to create striking special effects, Auto-Tune 5 is the tool of choice. Key new Auto-Tune 5 features include: Improved pitch detection algorithm: While Auto Tune's patented pitch detection technology has always provided unmatched speed and accuracy, Auto-Tune 5 introduces improvements in performance with marginal quality (noisy, poorly isolated, etc.) audio. A sleek new interface: As Auto-Tune's features have proliferated from version to version, we have continually focused on maintaining its ease of use.
With Auto-Tune 5, we have undertaken a complete graphic redesign. The result is both easy on the eyes and logically groups related controls for intuitive functionality. Consolidated Pitch Tracking control: The previously separate Automatic and Graphical Mode Tracking controls have been consolidated into a single control and relocated to the Options dialog for set-it-and-forget-it simplicity. Automatic Mode Features:: Humanize function: For those concerned about pitch correction that is too perfect, the Humanize function allows you to set a fast retune speed for short notes, while still allowing natural variation in held notes, for results that are even more natural and realistic. Realtime natural vibrato adjustment: The new realtime Natural Vibrato function allows you to modify (either increasing or decreasing) the depth of any vibrato that is present in the original performance. Graphical Mode Features: Larger Pitch Edit Display: As you've no doubt noticed, the Pitch Edit Display is now bigger. Sync to host transport (host dependent): For hosts that provide valid time information, Auto-Tune 5 will now maintain sync with the host program.
Once you have tracked audio and created correction curves, you can move around in your track at will. No more having to always start playback at exactly the same location.
Selectable Clock Source: For hosts that do not provide valid time information, Auto-Tune 5's clock display and selection functions let you use an internal time reference for Auto-Tune 4 style operation. Realtime pitch tracking display: During the Track Pitch process, the graphic representation of the pitch and envelope will be displayed in realtime as the audio plays.
Full-time correction mode (host dependent): Whenever Auto-Tune 5 is not specifically tracking audio, Auto-Tune 5 will be operating in correction mode. There is no longer any need to press a Correct Pitch button. Besides being convenient, that makes possible the following feature: Multiple simultaneous Graphical Mode instances (host dependent): You can now have multiple instances of Auto-Tune Graphical Mode operating on different tracks simultaneously, even if their windows are not open. In previous versions, since you had to have plug-in windows open to engage Correct Pitch mode, only open instances could be active. Editing functions no longer modal: You can now use all of the graphical editing features while Auto-Tune 5 is either tracking or correcting pitch. Enhanced Envelope Display functionality: We've made changes to the Envelope Display to make it much more useful for quick and easy navigation around your audio: Realtime graphical vibrato depth adjustment: The Adjust Vibrato control allows you to modify the depth of vibrato in your audio while preserving the contour of the original vibrato.
Apogee One Usb Audio Interface And Microphone For Mac Mac
Moving this control results in a real-time graphical representation of the resulting vibrato contour. Dedicated Snap To Note button: When using the Line Tool, clicking this button constrains the tool to exact scale notes. Dedicated Clear All Data function: Provides a convenient method to instantly clear all saved tracked audio and correction curve data. Compatibility with Pen Tablet Input: With a pen tablet, you can control Auto-Tune 5's graphical tools (as well as all the other controls) using a familiar pen-style input device. A pen tablet can offer increased drawing accuracy with less wrist stress in long sessions.
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Apogee's ONE is a USB 2.0 audio interface with a built-in microphone and features their award-winning sound quality. It is designed to work easily with Apple's GarageBand, Logic, Final Cut, or any Core Audio-compliant application. The implementation of the product is as elegant as it is simple to set up and operate. There are several input options provided, and the device allows for up to two simultaneous inputs. One option is to use the built-in, omnidirectional condenser microphone, housed in a specially tuned enclosure that delivers surprisingly good results. Another option is to use the included breakout cable, which provides a 1/4' instrument (hi-Z) input and an XLR input for an external microphone. This allows for two simultaneous inputs, either the instrument signal and internal microphone, or the instrument signal and the external microphone.
The built-in microphone preamps provide a very respectable 62 dB of gain and full 48V phantom powering. Both the external microphone and instrument inputs exhibit extremely low noise and transparent signal paths, making it the ideal solution for recording or performing live with a Mac. Output is supplied by the 3.5mm (1/8') jack on the front, allowing connection to either headphones or powered speakers. A single encoder knob provides direct access to the tuned-enclosure microphone, external microphone, or instrument selection, and to output functions for input level and volume adjustment. The unit's size makes it very travel-friendly, and when fitted with the included microphone stand mount, it becomes the ultimate portable recording solution for quickly capturing musical ideas, recording high-quality demos, rehearsals, podcasts, lectures, interviews, voice-overs, and more.